Skip to main content

Mirrors and Masks

 

The bard is blind for having seen the Goddess of Beauty bathe naked. Many are the names of Tiresias. The Argentine bard Jorge Luis Borges had a vision in light of his intimate blindness.

Legend has it that when the battle of Contarf ended, that feast of crows in which the Norwegians were defeated, the Great King of Ireland quickly called his court poet, repeating what the kings of Mycenae once did. He asked him to compose a song of victory and greatness, as if both things went together, as if war could make someone great. He gave him a year to compose it and some gold, some say a rare ring on which was inscribed the name of an old dragon.

When the year completed its journey, the poet presented an extensive panegyric full of great literary figures, a dazzling manifesto in which the sword was called “oar of battle” and “helm of justice.” He recited it with the confidence of someone who masters his craft, without looking at the manuscript and with a hypnotic rhythm from beginning to end. The king remained pensive and lost in a distant nostalgia. Afterwards he praised him and gave him a silver mirror for his efforts. “Terror does not live in your beautiful poem, nor does anger reveal its black poison in the spears. In your mirror, the battle has not been reflected.” The king requested a new ode.

When the year came to an end, the poet returned, emaciated, thin and ill. The new ode was presented with less confidence; the poet read it hesitantly and unsure. It was not a description of the battle: blood and fear were splashed in those words. The king was pleased and gave the poet a gold mask. “Dear friend,” said the king, “you have brought the battle to this Halls, but I have not seen you and me in its heat,” and he commissioned a third poem.

When the poet returned a year later, the palace guards mistook him for a beggar and prevented him from entering. Finally, someone recognized him and brought him to the king. With a broken voice, the poet told the king that he wished that Christ Our Lord had prevented him from writing the third poem. He didn't dare repeat it. Finally, at the king's urging, he whispered the poem in his ear. It consisted of only one line. The king was as overwhelmed when he heard it as the bard was when he composed it. The king stammered that he and the poet now shared the sin of having known Beauty, which is a gift forbidden to men. To atone, the king gave the bard a dagger. The poet committed suicide upon leaving the palace and the king abandoned the throne and became a beggar, and wandered through the cold Ireland - which was his kingdom - until God gave him his final rest.


Comments

Em said…
This was fascinating and I read more about this story to help me digest it further. As the poems went further from representing all of mankind’s synthesis of knowledge towards a singularity of truth it became less comprehensible to the masses but also, more unspeakably true. This singular whisperable truth then dissolved their masks of identity…as we approach “I am” we approach our own death.

Popular posts from this blog

Limen et Continuum

  Existence is Encounter. Meeting at the limen. In the limen, the masks disappear, that is, the basic intuitions of identities, such as the identity that I feel and think in relation to the tree that I see in front of me. The identity of the tree is a projection of mine: the unity of my process of perceiving the tree generates a mask in me, the ghost of a limited unity separated from everything else. The simplest form of intuitive understanding of masks and limen is given to us by numbers. Numbers intuitively express the liminal tension that is Existence. A little etymological note. Rythmos in Greek means flow. Arythmos (number) is what does not flow, what remains solidified. Numbers express the liminoid, and flow, rhythm, expresses the liminal. A rhythm becomes liminoid when we can trace patterns in it, that is, when we can construct masks of identities. Mathematics has spoken of flow using the Latin word “continuum”, the continuous. All modern science, since Leibni...

Masks and Ego

  The ego is the force of psychic centroversion, that which establishes points or frames of reference. Without the coordinate point (0,0), we cannot orient ourselves or act. The ego is the force that builds an unlimited number of references, of centers around which different formations of the Soul will appear. In Sanskrit, it is called Ahankara. Aham means “I”, kara is “the process of doing or carrying out”. As a compound word, Ahankara means “the process of making or uttering the ‘I’ ( aham ).” The ego is an action, a force that establishes or says the “I”, that lays a fundamental reference stone with respect to another action. For example, the human organism spontaneously performs the physiological action of seeing, the organ of sight is set in motion automatically, and automatically, a force also appears that assigns another action to the function of vision: the action that says “I ”. The synthesis is “I see.” It also happens in animals, for the acti...

Matriarcal or Uroboric Incest

Let us discuss some basic aspect of ego formation: its appearence out of the uroboric round. The uroboric round is the realm of the primordial waters (you can listen to my Podcast on the Primordial Waters). I really recomend you the book: The Origin s and History of Consciousness by Erich Neumann. (Princeton University Press). Neumann was a friend of Jung and member of the Eranos Group. We could understand the appearance of the ego from the unconscious through the myth of the emergence of an island from the primordial waters. Its appearance, however, is not permanent and definitive, especially at the beginning. The tides of the unconscious rise and the island is once again covered by the waters. Only a progressive systematization of consciousness leads to its permanence. To keep consciousness awake, a force of determination is necessary, which requires a display of psychic and physiological energy. For the appearance of consciousness it is necessary to exert an energy that moves...